By Phyllis Young
General Position
- Is the violin supported by the shoulder in such a manner that the violin can be fingered with the left hand without tension? Is the left hand free to slide up and down the fingerboard for shifting?
- Is the violin held at approximately a 45+ degree angle to the side of the middle of the body?
- Does the elbow hang under the violin and swing freely to be able to finger the different strings?
- Is the left arm and hand forming a straight line from the elbow to the base of the fingers?
- Is the right arm always moving in the way that is most natural; that is, with the wrist leading and elbow following?
Left Hand
- Are the fingers curved with only the tips of the fingers hitting the strings?
- Is the thumb placed where it naturally falls, between the index and the middle finger?
- Is the hand free from clutching (See General Position #1 above)?
- Is the wrist keeping a straight line with the rest of the arm (not protruding in either direction)?
- Is the hand placed in such a fashion that the little finger could always pluck the strings?
Right Hand
- Are the fingers flexible at all times?
- Are the thumb and little finger curved? (Important for flexibility)
- Does the bow cross the forefinger between the first and second knuckle? This is slightly different for each hand.
- Are the second and third fingers wrapped around the frog? If there is a dot on the frog, cover it with the fingers.
- Are the hand knuckles soft at all times?
- Does the little finger sit on the top of the stick and not hang over? On the up bow, does it have the feeling of pushing the bow up?